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Autoliner - Be

Autoliner cover art

Artist: Autoliner
Title: Be
Catalog#: Parasol-CD-071
Price: $12.00 buy

Tracks on this CD:
Weakened
Misunderstood
Supersonic Baby (In Disguise)
Green Mary
Down On The Line
Lighthouse
Ready?
No Matter When
Living
After All
Rings by Absinthe Blind (Mud Records)

autoliner photo

Tom Curless - Vocals/Drums
Brian Leach - Vocals/Guitar, Keyboards
John Ross - Vocals/Bass Guitar

Autoliner, Chicago's most powerful Power Trio has whipped up a telekinetic storm of super-orchestrated jetstream pop, orgasmic 80s British and American new wave levitation, and chromed 70s prog, that flat out rocks. Anthems so huge, they're like seamless silver skyscrapers, gyroscoping triple-harmonies that threaten to escape earth orbit, and a wave of psychedelic momentum that will flood your cranium with the most iridescent paisleys. This is The Beatles Magical Mystical Tour on some all-natural amphetamine/aphrodisiac, and edgy to the point of serration. Throughout the songs, the three Autoliner boys regularly trade off on lead vocals and join in for spot-on three-part harmonies (three-on-a-mic backing vocals played a big role in this recording) and at the heart of every song is an accomplished rock band, veteran songsmiths obviously reveling in their craft. It's advised (by rocket scientists) that you drop names like The Beatles, Bee Gees, Badfinger, Electric Light Orchestra, Cheap Trick, Love, Translator, The Posies, XTC… And like their debut CD Life On Mars, where the band "started to think we were making Abbey Road, we just kept throwing in strings and horns", Be is a similarly lush and baroque album. While a barrage of backing vocals now often take the place of the strings and horns that appeared on the first disc, Be seems somehow adorned with every conceivable sonic ornament. Speaking of adornment, in addition to nine new original tunes Be is garnished with an adrenaline-driven cover of Alice Cooper's "Living".

Parasol stalwart Brian Leach was a member of Last Gentlemen (Zoo Entertainment-BMG), recorded two albums with his band Sugarbuzz (Parasol) along with a critically acclaimed solo album Sunrise Nearly Killed Me (Parasol). Leach is also a member of the enigmatic Diamond Star Halo (with Adam Schmitt and Bob Kimbell), whose never-quite-finished album which may or may not be released by Parasol. Autoliner joins Leach with collaborators John Ross (Monica's Interval, Vivian Section) and Tom Curless. The trio released their debut CD under the name Life On Mars and was soon contacted by another band called Life On Mars about changing their name. The CD quickly went into a 2nd pressing, with the new moniker in place.


And now, a message from John Ross:

Hello, This is John - the bass player and one of the singers from Autoliner. We are quite pleased that our second Parasol CD, “Be” is now done and out. I think it’s fair to say that as a group, we feel it is, overall, a more coherent effort than the first disc.

One of the things that makes Autoliner special is that we all make heavy contributions to the actual writing of the songs. “Be” not only highlights our musical interaction, it also shows all of us exploring and pushing our own individual strengths. This is definitely a more guitar driven album than the last one. Brian is really coming into his own as a guitar player and this is reflected throughout all of the tracks. It’s been a gas watching what I see as his evolution from a semi-cosmic musical philanthropist to a total rock guitar dude/musical ice-cream man. Tom is writing and singing more vocal parts than before (he’s also the one doing most of the high harmonies - for you harmony enthusiasts). You can also hear his drumming better on this disc. He is one of my favorite pop drummers ever, and it’s a pleasure to hear the drums both sounding better and up a bit in the mix. For me, this album was chiefly a lyrical adventure. I also decided it was time to let loose with a bevy of big vocal choruses that I’ve always considered my musical forte.The songs here represent all of us both singularly and collectively. It ultimately all comes together as “Be”.

We all hope that you enjoy our second outing!

p.s. I also want to add that I’m quite pleased that we did a cover of the Alice Cooper Group song Living. It’s been one of my favorite songs since Junior High, and along with the Mammas and the Papas song Twelve-Thirty (which we did on the last CD) one of the songs that I’ve most wanted to record for years. It’s really a great song...check out both our version and the original. Dennis Dunnaway rules! (If you’re an Alice Cooper Group fan, you already know that).

That's it.
Happy Night
John


PRESS for Autoliner's debut Life On Mars:

"This set of a dozen effervescent and unforgettable power-pop tunes is a sterling accomplishment, and one of the best efforts of its kind in these parts since the heyday of Material Issue." --- Jim DeRogatis / Chicago Sun Times

"(Autoliner) write stunning songs that meld various elements of 60s psychedelia, 70s AM radio pop, 80s new wave and buckets of their own ideas, prop them on a tight skeleton of warm guitars…" --- Michael Toland / Pop Culture Press

"Imagine a band more inspired by E.L.O.'s catchy orchestrated rock than by that '70s supergroup's clinical attempts to resynthesize the Beatles, and you should have no trouble warming to Autoliner. --- Big Takeover

"(Autoliner's) Life On Mars is like listening to a radio station that plays your favorite sounds from the 60's, 70's and 80's... amazing arrangements and dizzying variety in the song structures do create the sense of other worldly prodigies at work... If a particular riff or hook in any given song does not appeal, wait a couple bars and the next is sure to grab you." --- Wendy Shea / Amplifier Magazine

"The music...leaps from guitar jangle to horn flourishes to massed strings at will. "Reversal (Lost Direction)" careens from orchestral drama to slashing guitar rock to spinning neo-psychedelia like "Bohemian Rhapsody" and "Chitty Chitty Bang Bang" mashed together and then compressed into three minutes." --- The War Against Silence

 
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